Senin, 22 Februari 2010

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Incognito: The Secret Lives of the Brain, by David Eagleman

Incognito: The Secret Lives of the Brain, by David Eagleman



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Incognito: The Secret Lives of the Brain, by David Eagleman

If the conscious mind--the part you consider to be you--is just the tip of the iceberg, what is the rest doing?

In this sparkling and provocative book, renowned neuroscientist David Eagleman navigates the depths of the subconscious brain to illuminate its surprising mysteries. Why can your foot move halfway to the brake pedal before you become consciously aware of danger ahead? Is there a true Mel Gibson? How is your brain like a conflicted democracy engaged in civil war? What do Odysseus and the subprime mortgage meltdown have in common? Why are people whose names begin with J more like to marry other people whose names begin with J? And why is it so difficult to keep a secret?

Taking in brain damage, plane spotting, dating, drugs, beauty, infidelity, synesthesia, criminal law, artificial intelligence, and visual illusions, Incognito is a thrilling subsurface exploration of the mind and all its contradictions.

  • Sales Rank: #8857168 in Books
  • Brand: imusti
  • Published on: 2016-04-07
  • Original language: English
  • Dimensions: 7.80" h x .87" w x 5.08" l, .49 pounds
  • Binding: Paperback
Features
  • CANONGATE BOOKS

Review
A Boston Globe Best Book of the Year

“Original and provocative. . . . A smart, captivating book that will give you a prefrontal workout.”
—Nature�

“A popularizer of impressive gusto . . . [Eagleman] aims, grandly, to do for the study of the mind what Copernicus did for the study of the stars. . . . Incognito proposes a grand new account of the relationship between consciousness and the brain. It is full of dazzling ideas, as it is chockablock with facts and instances.”
—The New York Observer

“Eagleman engagingly sums up recent discoveries about the unconscious processes that dominate our mental life. . . . [He] is the kind of guy who really does make being a neuroscientist look like fun.”
—The New York Times

“Although Incognito is fast-paced, mind-bending stuff, it’s a book for regular folks. Eagleman does a brilliant job refining heavy science into a compelling read. He is a gifted writer.”
—Houston Chronicle�

“Eagleman has a talent for testing the untestable, for taking seemingly sophomoric notions and using them to nail down the slippery stuff of consciousness.”
—The New Yorker��

“Incognito does the right thing by diving straight into the deep end and trying to swim. Eagleman, by imagining the future so vividly, puts into relief just how challenging neuroscience is, and will be.”
—The Boston Globe

“Appealing and persuasive.”
—The Wall Street Journal

“Your mind is an elaborate trick, and mastermind David Eagleman explains how the trick works with great lucidity and amazement. Your mind will thank you.”
—Wired

“A fun read by a smart person for smart people. . . . It will attract a new generation to ponder their inner workings.”
—New Scientist

“Fascinating. . . . Eagleman has the ability to turn hard science and jargon into interesting and relatable prose, illuminating the mind’s processes with clever analogies and metaphors.”
—Salt Lake City Weekly

“Touches on some of the more intriguing cul-de-sacs of human behavior.”
—Santa Cruz Sentinel

“Startling. . . . It’s a book that will leave you looking at yourself—and the world—differently.”
—Austin American-Statesman

“Sparkling and provocative. . . . A thrilling subsurface exploration of the mind and all its contradictions.”
—The Courier-Journal

“After you read Eagleman’s breezy treatment of the brain, you will marvel at how much is illusory that we think is real, and how we sometimes function on autopilot without consciously knowing what is happening. . . . This is a fascinating book.”
—The Advocate

“A pleasure to read. . . . If a reader is looking for a fun but illuminating read, Incognito is a good choice. With its nice balance between hard science and entertaining anecdotes, it is a good alternative to the usual brainless summer blockbusters.”
—Deseret News

“Incognito is fun to read, full of neat factoids and clever experiments. . . . Eagleman says he’s looking to do for neuroscience what Carl Sagan did for astrophysics, and he’s already on his way.”
—Texas Monthly

“Eagleman presents difficult neuroscience concepts in an energetic, casual voice with plenty of analogies and examples to ensure that what could easily be an overwhelming catalog of facts remains engaging and accessible. . . . The ideas in Eagleman’s book are well-articulated and entertaining, elucidated with the intelligent, casual tone of an enthusiastic university lecturer.”
—TheMillions.com

“Written in clear, precise language, the book is sure to appeal to readers with an interest in psychology and the human mind, but it will also please people who just want to know, with a little more clarity, what is going on inside their own skulls.”
—Booklist

“A stunning exploration of the we behind the I. Eagleman reveals, with his typical grace and eloquence, all the neural magic tricks behind the cognitive illusion we call reality.”
—Jonah Lehrer, author of How We Decide

“A fascinating, dynamic, faceted look under the hood of the conscious mind. . . . Equal parts entertaining and illuminating, the case studies, examples and insights in Incognito are more than mere talking points to impressed at the next dinner party, poised instead to radically shift your understanding of the world, other people, and your own mind.”
—Brain Pickings�

“Eagleman engagingly sums up recent discoveries about the unconscious processes that dominate our mental life.”
—The New York Times Book Review��

“Fascinating. . . . Eagleman has the ability to turn hard science and jargon into interesting and relatable prose, illuminating the mind’s processes with clever analogies and metaphors.”
—Salt�Lake City Weekly

“A great beach read.“
—Philadelphia City Paper

“Incognito feels like learning the secrets of a magician. In clear prose, Eagleman condenses complex concepts and reinforces his points through analogies, pop culture, current events, optical illusions, anecdotes, and fun facts.”
—Frontier Psychiatrist�

“One of those books that could change everything.”
—Sam Snyder, blog

“Buy this book. The pithy observations, breezy language and wow-inducing anecdotes provide temporary pleasure, but the book’s real strength is in its staying power.“
—Science News�

“A whirlwind, high-definition look at the neural underpinnings of our everyday thinking and perception . . . fascinating.”
—Brettworks.com

“Eagleman embodies what is fascinating, fun, and hopeful about modern neuroscience.”
—Brainstorm.com �

“After you read Eagleman’s breezy treatment of the brain, you will marvel at how much is illusory that we think is real, and how we sometimes function out autopilot without consciously knowing what is happening. . . . This is a fascinating book.”
—The Advocate�

“Funny, gripping and often shocking . . . Eagleman writes great sentences of the sort that you might be inclined to read to those in your general vicinity.”
—bookotron.com�

“Incognito�reads like a series of fascinating vignettes, offering plenty of pauses for self-reflection. Eagleman’s anecdotes are funny and easily tie to the concepts he explains. Moreover, his enthusiasm for the subject is obvious and contagious.”
—Spectrum Culture�

“Incognito�is popular science at its best . . . beautifully synthesized.” —Boston Globe�Best of 2011

About the Author

DAVID EAGLEMAN is a neuroscientist, a Guggenheim Fellow, and a�New York Times�bestselling author. His�books have been translated into 27 languages. Eagleman�heads the Laboratory for Perception and Action at Baylor College of Medicine, and is the founding Director of the Initiative on Neuroscience and Law. He is the author and presenter of the PBS series The Brain.

Excerpt. � Reprinted by permission. All rights reserved.
There’s Someone In My Head, But It’s Not Me

Take a close look at yourself in the mirror. Beneath your dashing good looks churns a hidden universe of networked machinery. The machinery includes a sophisticated scaffolding of interlocking bones, a netting of sinewy muscles, a good deal of specialized fluid, and a collaboration of internal organs chugging away in darkness to keep you alive. A sheet of high-tech self-healing sensory material that we call skin seamlessly covers your machinery in a pleasing package.

And then there’s your brain. Three pounds of the most complex material we’ve discovered in the universe. This is the mission control center that drives the whole operation, gathering dispatches through small portals in the armored bunker of the skull.

Your brain is built of cells called neurons and glia—hundreds of billions of them. Each one of these cells is as complicated as a city. And each one contains the entire human genome and traffics billions of molecules in intricate economies. Each cell sends electrical pulses to other cells, up to hundreds of times per second. If you represented each of these trillions and trillions of pulses in your brain by a single photon of light, the combined output would be blinding.

The cells are connected to one another in a network of such staggering complexity that it bankrupts human language and necessitates new strains of mathematics. A typical neuron makes about ten thousand connections to neighboring neurons. Given the billions of neurons, this means there are as many connections in a single cubic centimeter of brain tissue as there are stars in the Milky Way galaxy.

The three-pound organ in your skull—with its pink consistency of Jell-o—is an alien kind of computational material. It is composed of miniaturized, self-configuring parts, and it vastly outstrips anything we’ve dreamt of building. So if you ever feel lazy or dull, take heart: you’re the busiest, brightest thing on the planet.

Ours is an incredible story. As far as anyone can tell, we’re the only system on the planet so complex that we’ve thrown ourselves headlong into the game of deciphering our own programming language. Imagine that your desktop computer began to control its own peripheral devices, removed its own cover, and pointed its webcam at its own circuitry. That’s us.

And what we’ve discovered by peering into the skull ranks among the most significant intellectual developments of our species: the recognition that the innumerable facets of our behavior, thoughts, and experience are inseparably yoked to a vast, wet, chemicalelectrical network called the nervous system. The machinery is utterly alien to us, and yet, somehow, it is us.

THE TREMENDOUS MAGIC

In 1949, Arthur Alberts traveled from his home in Yonkers, New York, to villages between the Gold Coast and Timbuktu in West Africa. He brought his wife, a camera, a jeep, and—because of his love of music—a jeep-powered tape recorder. Wanting to open the ears of the western world, he recorded some of the most important music ever to come out of Africa. But Alberts ran into social troubles while using the tape recorder. One West African native heard his voice played back and accused Alberts of “stealing his tongue.” Alberts only narrowly averted being pummeled by taking out a mirror and convincing the man that his tongue was still intact.

It’s not difficult to see why the natives found the tape recorder so counterintuitive. A vocalization seems ephemeral and ineffable: it is like opening a bag of feathers which scatter on the breeze and can never be retrieved. Voices are weightless and odorless, something you cannot hold in your hand.

So it comes as a surprise that a voice is physical. If you build a little machine sensitive enough to detect tiny compressions of the molecules in the air, you can capture these density changes and reproduce them later. We call these machines microphones, and every one of the billions of radios on the planet is proudly serving up bags of feathers once thought irretrievable. When Alberts played the music back from the tape recorder, one West African tribesman depicted the feat as “tremendous magic.”

And so it goes with thoughts. What exactly is a thought? It doesn’t seem to weigh anything. It feels ephemeral and ineffable. You wouldn’t think that a thought has a shape or smell or any sort of physical instantiation. Thoughts seem to be a kind of tremendous magic.

But just like voices, thoughts are underpinned by physical stuff. We know this because alterations to the brain change the kinds of thoughts we can think. In a state of deep sleep, there are no thoughts. When the brain transitions into dream sleep, there are unbidden, bizarre thoughts. During the day we enjoy our normal, wellaccepted thoughts, which people enthusiastically modulate by spiking the chemical cocktails of the brain with alcohol, narcotics, cigarettes, coffee, or physical exercise. The state of the physical material determines the state of the thoughts.

And the physical material is absolutely necessary for normal thinking to tick along. If you were to injure your pinkie in an accident you’d be distressed, but your conscious experience would be no different. By contrast, if you were to damage an equivalently sized piece of brain tissue, this might change your capacity to understand music, name animals, see colors, judge risk, make decisions, read signals from your body, or understand the concept of a mirror—thereby unmasking the strange, veiled workings of the machinery beneath. Our hopes, dreams, aspirations, fears, comic instincts, great ideas, fetishes, senses of humor, and desires all emerge from this strange organ—and when the brain changes, so do we. So although it’s easy to intuit that thoughts don’t have a physical basis, that they are something like feathers on the wind, they in fact depend directly on the integrity of the enigmatic, three-pound mission control center.

The first thing we learn from studying our own circuitry is a simple lesson: most of what we do and think and feel is not under our conscious control. The vast jungles of neurons operate their own programs. The conscious you—the I that flickers to life when you wake up in the morning—is the smallest bit of what’s transpiring in your brain. Although we are dependent on the functioning of the brain for our inner lives, it runs its own show. Most of its operations are above the security clearance of the conscious mind. The I simply has no right of entry.

Your consciousness is like a tiny stowaway on a transatlantic steamship, taking credit for the journey without acknowledging the massive engineering underfoot. This book is about that amazing fact: how we know it, what it means, and what it explains about people, markets, secrets, strippers, retirement accounts, criminals, artists, Ulysses, drunkards, stroke victims, gamblers, athletes, bloodhounds, racists, lovers, and every decision you’ve ever taken to be yours.

* * *
In a recent experiment, men were asked to rank how attractive they found photographs of different women’s faces. The photos were eight by ten inches, and showed women facing the camera or turned in three-quarter profile. Unbeknownst to the men, in half the photos the eyes of the women were dilated, and in the other half they were not. The men were consistently more attracted to the women with dilated eyes. Remarkably, the men had no insight into their decision making. None of them said, “I noticed her pupils were two millimeters larger in this photo than in this other one.” Instead, they simply felt more drawn toward some women than others, for reasons they couldn’t quite put a finger on.

So who was doing the choosing? In the largely inaccessible workings of the brain, something knew that a woman’s dilated eyes correlates with sexual excitement and readiness. Their brains knew this, but the men in the study didn’t—at least not explicitly. The men may also not have known that their notions of beauty and feelings of attraction are deeply hardwired, steered in the right direction by programs carved by millions of years of natural selection. When the men were choosing the most attractive women, they didn’t know that the choice was not theirs, really, but instead the choice of successful programs that had been burned deep into the brain’s circuitry over the course of hundreds of thousands of generations.

Brains are in the business of gathering information and steering behavior appropriately. It doesn’t matter whether consciousness is involved in the decision making. And most of the time, it’s not. Whether we’re talking about dilated eyes, jealousy, attraction, the love of fatty foods, or the great idea you had last week, consciousness is the smallest player in the operations of the brain. Our brains run mostly on autopilot, and the conscious mind has little access to the giant and mysterious factory that runs below it.

You see evidence of this when your foot gets halfway to the brake before you consciously realize that a red Toyota is backing out of a driveway on the road ahead of you. You see it when you notice your name spoken in a conversation across the room that you thought you weren’t listening to, when you find someone attractive without knowing why, or when your nervous system gives you a “hunch” about which choice you should make.

The brain is a complex system, but that doesn’t mean it’s incomprehensible. Our neural circuits were carved by natural selection to solve problems that our ancestors faced during our species’ evolutionary history. Your brain has been molded by evolutionary pressures just as your spleen and eyes have been. And so has your consciousness. Consciousness developed because it was advantageous, but advantageous only in limited amounts.

Consider the activity that characterizes a nation at any moment. Factories churn, telecommunication lines buzz with activity, businesses ship products. People eat constantly. Sewer lines direct waste. All across the great stretches of land, police chase criminals. Handshakes secure deals. Lovers rendezvous. Secretaries field calls, teachers profess, athletes compete, doctors operate, bus drivers navigate. You may wish to know what’s happening at any moment in your great nation, but you can’t possibly take in all the information at once. Nor would it be useful, even if you could. You want a summary. So you pick up a newspaper—not a dense paper like the New York Times but lighter fare such as USA Today. You won’t be surprised that none of the details of the activity are listed in the paper; after all, you want to know the bottom line. You want to know that Congress just signed a new tax law that affects your family, but the detailed origin of the idea—involving lawyers and corporations and filibusters— isn’t especially important to that new bottom line. And you certainly wouldn’t want to know all the details of the food supply of the nation—how the cows are eating and how many are being eaten—you only want to be alerted if there’s a spike of mad cow disease. You don’t care how the garbage is produced and packed away; you only care if it’s going to end up in your backyard. You don’t care about the wiring and infrastructure of the factories; you only care if the workers are going on strike. That’s what you get from reading the newspaper.

Your conscious mind is that newspaper. Your brain buzzes with activity around the clock, and, just like the nation, almost everything transpires locally: small groups are constantly making decisions and sending out messages to other groups. Out of these local interactions emerge larger coalitions. By the time you read a mental headline, the important action has already transpired, the deals are done. You have surprisingly little access to what happened behind the scenes. Entire political movements gain ground-up support and become unstoppable before you ever catch wind of them as a feeling or an intuition or a thought that strikes you. You’re the last one to hear the information.

However, you’re an odd kind of newspaper reader, reading the headline and taking credit for the idea as though you thought of it first. You gleefully say, “I just thought of something!”, when in fact your brain performed an enormous amount of work before your moment of genius struck. When an idea is served up from behind the scenes, your neural circuitry has been working on it for hours or days or years, consolidating information and trying out new combinations. But you take credit without further wonderment at the vast, hidden machinery behind the scenes.

And who can blame you for thinking you deserve the credit? The brain works its machinations in secret, conjuring ideas like tremendous magic. It does not allow its colossal operating system to be probed by conscious cognition. The brain runs its show incognito. So who, exactly, deserves the acclaim for a great idea? In 1862, the Scottish mathematician James Clerk Maxwell developed a set of fundamental equations that unified electricity and magnetism. On his deathbed, he coughed up a strange sort of confession, declaring that “something within him” discovered the famous equations, not he. He admitted he had no idea how ideas actually came to him—they simply came to him. William Blake related a similar experience, reporting of his long narrative poem Milton: “I have written this poem from immediate dictation twelve or sometimes twenty lines at a time without premeditation and even against my will.” Johann Wolfgang von Goethe claimed to have written his novella The Sorrows of Young Werther with practically no conscious input, as though he were holding a pen that moved on its own.

And consider the British poet Samuel Taylor Coleridge. He began using opium in 1796, originally for relief from the pain of tooth - aches and facial neuralgia—but soon he was irreversibly hooked, swigging as much as two quarts of laudanum each week. His poem “Kubla Khan,” with its exotic and dreamy imagery, was written on an opium high that he described as “a kind of a reverie.” For him, the opium became a way to tap into his subconscious neural circuits. We credit the beautiful words of “Kubla Khan” to Coleridge because they came from his brain and no else’s, right? But he couldn’t get hold of those words while sober, so who exactly does the credit for the poem belong to? As Carl Jung put it, “In each of us there is another whom we do not know.” As Pink Floyd put it, “There’s someone in my head, but it’s not me.”

Most helpful customer reviews

10 of 10 people found the following review helpful.
Worth reading every year
By David Stang
I was that annoying kid in high school math who would raise his hand with an answer before the teacher had finished asking the question. My strategy was simple. During the question, if I was comfortable that I knew the answer, the hand would go up. I knew I had a few seconds before I was called on, and the odds of being called on were low -- unless no one else raised their hand. A bit after I felt comfortable that I knew the answer, it would become available for me to open my mouth and say it. I was normally right, and usually would then be asked how I had reached that answer. This was always the hardest part, and I struggled internally to deduce how this could have happened. Such an explanation was usually right too.

In high school math, I knew something I did not quite understand until reading this book, and did not verbalize until writing this review: that we can know before we can say, that our reasoning can be at first non-conscious, and then, with effort, be piped up to our feeble consciousness, as if it had taken place there.

We give great credit to our consciousness, very little credit to our brains. It should be the other way around. As it turns out, our conscious experience is a small, dim fragment of our actual experience. When a perception finally reaches our consciousness, it has been washed clean of noise, twisted according to our expectations and prejudices, and packaged into something more familiar. Most everything that happens in that brain never reaches the surface of awareness.

If you think your brain is a second class citizen, and your consciousness is driving things, then read Incognito: The Secret Lives of the Brain, by David Eagleman. Turns out that much of the action is below consciousness. You know this from your reactions to brake in a dangerous situation before you are fully aware of the danger, or to pull your hand from the stove before you become aware of the pain. The decision-making process of the unconscious brain is not always revealed to our consciousness. In one study, men rated some women as more attractive than others from photographs, but couldn't explain why. Turns out, the pupils of the more attractive women had been artificially dilated with Photoshop. The unconscious brain knows that dilated pupils are an indicator of sexual arousal.

You must read Eagleman's book. When you are finished, you will marvel even more at what the hundreds of billions of neurons in your head can do, understand yourself a bit better, and maybe even understand that your "self" is just a constructed reality.

2 of 2 people found the following review helpful.
Well Done
By A Strong Poet
Love the metaphors. They work really well. I realize that the writing is meant for a broad, popular audience, I still felt that some of the descriptions were simplistic. Like "reptilian brain." Aren't there any better, accessible and still descriptive scientific terms to explain this part of our brain? Also, in the last chapter, the discussion is about genetic differences and environment and the interaction of the two. And then the final example, as in a concluding statement, is about brain injury. Did I miss something? I find that to be another category altogether, an interference of the environment that is unique and obviously hugely impactful but doesn't otherwise have much impact on the discussion on typical genetic and environmental developmental progression of behavior and personality.

12 of 12 people found the following review helpful.
Eye Opener
By John Z.
If a person asked you to describe what a thought is, could you do it?

David Eagleman's book is one of the most insightful and thought-provoking reads I have finished this year. I found this title on a list of "10 Books That Will Blow Your Mind," and Eagleman did not disappoint. This book is an entertaining piece of work that will have you reciting facts to your friends, co-workers, and your even neighborhood barkeep.

1. Why is it that you can hardly remember a time when you could not ride a bike or tie your own shoe;
however, now you can accomplish these tasks while holding an intelligent conversation at the same time.
2. Have you ever heard of someone falling asleep at the wheel of a car, yet they find themselves safely
stopped at the STOP sign at the end of the block?

Eagleman's book teaches it's readers about the amazing organ in our body known as the brain and how we operate every day at an unconcious level. He even describes how we can interfere with our own performance by thinking too much and not just completing a task. But this is just the beginning of what Eagleman has to say to his readers.

This book is written by a trustworthy author who is knowledgable and well-versed in terms of the history of human cognition. I would highly recommend this book as a good "beach read," but do not save this title only for your vacation week because you deserve to know what is going on upstairs with your marbles...before you start to lose them.

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Kamis, 18 Februari 2010

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100 Law School Exam Questions, fully detailed explanations with course and summary outlines.

  • Sales Rank: #4887155 in Books
  • Published on: 2007
  • Binding: Paperback
  • 140 pages

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[T894.Ebook] Ebook Free A Guide to Teaching Practice in Ireland, by Brendan Walsh, Rose Dolan

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Details comprehensive treatment of the issues facing pre-service teachers, along with guidance for those in the early years of a teaching career. It provides practical guidance on many areas: classroom management; planning for lessons; time management; evaluating learning; motivating pupils; dealing with conflict; and managing stress. It assesses teaching methodology in light of changes in Irish educational policy in recent years, such as the Teaching Council, Whole School Evaluation, National Pilot Project on Teach Induction. It contains a chapter on Special Educational Needs and the issues facing teachers and pupils in Ireland today. It also encourages reflective teaching and lifelong learning to promote continuous professional development.

  • Sales Rank: #2441049 in eBooks
  • Published on: 2009-04-26
  • Released on: 2012-08-03
  • Format: Kindle eBook

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Minggu, 14 Februari 2010

[L208.Ebook] Download Human Rights and Constituent Power: Without Model or Warranty, by Illan rua Wall

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With the emergence of modern human rights in the Universal Declaration, what remained of a radical political potential of the discourse withdrew: statism and individualism became its authorised foundations and the possibilities of other human rights traditions were denied. The strife that once lay at the heart of human rights was forgotten in an increasing juridification. This book seeks to recover the radical political pole of human rights. It looks to the debates surrounding constituent power – the ‘power of the people’ – in order to understand different possibilities for the discourse. Using continental political philosophy and critical legal theory, Human Rights and Constituent Power presents a very different conception of human rights, more at home on the riotous streets than in courtrooms and parliaments.

  • Sales Rank: #6369424 in Books
  • Published on: 2011-11-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.50" w x .50" l, 1.00 pounds
  • Binding: Hardcover
  • 208 pages

About the Author
Oxford Brookes University, UK

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Kamis, 11 Februari 2010

[R407.Ebook] Download Ebook The Art of Epic Mickey, by Austin Grossman

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The Art of Epic Mickey will be a 160-page hardcover landscape coffee table book. It will be written by Epic Mickey co-writer Austin Grossman and will feature a forward by Game Director and New York Times contributor, Warren Spector. The book will journey through the beautifully dark and twisted world known as Cartoon Wasteland touching on the creative process behind developing this once-in-a-lifetime vision. It will include, sketches, concept art, final frames, and stills from the actual game, plus, never-before-used art with quotes from the team that envisioned this epic tale. The physical world of the game is born directly from Disneyland, and accordingly, the book will spotlight the artistic influence that Disneyland, with its iconic qualities and rides, had on the creators of Epic Mickey.

  • Sales Rank: #1158391 in Books
  • Published on: 2011-10-11
  • Released on: 2011-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .0" w x 12.00" l, 3.20 pounds
  • Binding: Hardcover
  • 160 pages

About the Author

Austin Grossman is the author of SOON I WILL BE INVINCIBLE, a novel, published in 2007 by Pantheon Books. His writing has also appeared in Granta, the Wall Street Journal, and the New York Times. His second novel, YOU, will be published by Mulholland Books in 2012.

He has also worked on critically acclaimed video games includingUltima Underworld II,System Shock, andEpic Mickey.


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23 of 23 people found the following review helpful.
You won't be needing any paint thinner for this lil' masterpiece.
By Armando N. Roman
[[VIDEOID:mo2NMCLFSMC6BMY]]Regardless of how you feel about the game, you can't deny that Epic Mickey had incredible art direction and the concept art that was released months before it came out looked incredible. Images of twisted robots, Disney lands ravaged, and a just plain dim outlook for the world had a lot of people interested. How the heck did this stuff get passed by Disney? Well, it turned out that a lot of it didn't make the final cut, or what did got toned down big time. I spent the extra money and got the collector's edition of the game, mainly for the figure it came with, but also because some of the artwork was featured on the making-of dvd. While it had some great work, it made me want a real art book. Well, we finally got it long after the game came out, and after a few delays, the book doesn't disappoint. This is one of the best art books I've seen all year, and any Disney fan needs to have this in their collection. This book almost makes up for the disaster that the game ended up being.

All of the artwork that was shown prior to the game's release date is featured here. Those creepy images of animatronic Goofy are here, as are the awesome black and white drawings of different robots. But that's just a small sample of what That Art of Epic Mickey has. There are tons of lush, gorgeous digital pieces that should hush anyone who says that traditional hand drawn artwork will always be the best (as if The Art of Kung Fu Panda didn't put that to rest enough). Characters, locations, important story points, everything in the game is covered here. I loved seeing some of Pete's appearances get showcased here, though it made me want more since the character sections were brief, and I've always enjoyed these portions the most in art books. Aside from that, my only other complaint is that the paper used for this book is shinier than any other I've seen. It was a bit difficult to record the video and show off the artwork since there was constantly a glare, but hopefully you can still get a good glimpse at the book.

As far as the text goes, you can tell that a lot of love and work went into the game and the artwork. If you've seen the making-of dvd that came with the collector's edition of Epic Mickey, then a lot of what's talked about here will seem familiar. This is still a great book though, and if every game got an art book like this, I'd be out of money on a regular basis. I may not have been able to beat the game because it was such a chore, but I sure as heck enjoy going through this book. Get this one before it goes out of print.

2 of 2 people found the following review helpful.
disney dark
By Anonimus
the game epic mickey was a great game and works real well and this art book is phenominal with charater info a real good book if you like the game

2 of 2 people found the following review helpful.
It is very good
By Abel
I thought the book was fantastic and offered the ability to see many concepts that didn't make it into the game.

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Senin, 01 Februari 2010

[A777.Ebook] Ebook Free Self Creation: Psychoanalytic Therapy and the Art of the Possible, by Frank Summers

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Self Creation: Psychoanalytic Therapy and the Art of the Possible, by Frank Summers

"Insight" and "Change."� The problematic relationship between these two concepts, to which the reality of psychoanalytic patients who fully understand maladaptive patterns without being able to change them attests, has dogged psychoanalysis for a century.� Building on the integrative object relations model set forth in Transcending the Self (1999), Frank Summers turns to Winnicott's notion of "potential space" in order to elaborate a fresh clinical approach for transforming insight into new ways of being and relating.� For Summers, understanding occurs within transference space, but the latter must be translated into potential space if insight is to give rise to change in the world outside the consulting room.� Within potential space, Summers holds, the analyst's task shifts from understanding the present to aiding and abetting the patient in creating a new future.� This means that the analyst must draw on her hard-won understanding of the patient to construct a vision of who the patient can become.� Lasting therapeutic change grows out of the analyst's and patient's collaboration in developing new possibilities of being that draw on the patient's affective predispositions and buried aspects of self.

In the second half of the book, Summers applies this model of therapeutic action to common clinical syndromes revolving around depression, narcissistic injuries, somatic symptoms, and internalized bad objects.� Here we find vivid documentation of specific clinical strategies in which the therapeutic use of potential space gives rise to new ways of being and relating which, in turn, anchor the creation of a new sense of self.

  • Published on: 2015-12-17
  • Original language: English
  • Dimensions: 9.02" h x .69" w x 5.98" l, 1.26 pounds
  • Binding: Hardcover
  • 300 pages

Review

"In this erudite and stimulating book, Summers demonstrates psychoanalytic theorizing at its best. Summers is an original thinker and, obviously, a compassionate and committed therapist. But he also serves as a model of how we can learn from each other, and how we, as theoretical pioneers, can explore the theoretical terrain of our colleagues without colonizing or laying waste to their lands. Of all the great gifts in this book, Summers offers this one throughout: he comes in peace."

- David Anderegg, Ph.D., Psychologist-Psychoanalyst

"Drawing on several rich traditions within psychoanalytic writing, Summers provides an original and necessary view of how psychoanalytic psychotherapy can facilitate change of the self.� His many clinical examples demonstrate his thesis and give the reader a down-to-earth sense of how to go about doing what Summers proposes."

- Christopher Bollas, Ph.D., Author, Dark at the End of the Tunnel

“Summers offer a substantial development of Winnicott's perspective, contending that change does not occur through understanding alone, but rather requires the specific recognition of the patient's potential for agency and the welcoming of her spontaneous gestures. Deftly merging philosophical erudition with practical experience, Summers takes us to the heart of the clinical enterprise, the ability to uncover the seeds of a possible future beneath the familiar layers of yesterday’s repetitions.� Saturated with the details of live interaction, tuned in to the small voice of desire, Self Creation strives to teach the unteachable: how to listen.”

- Jessica Benjamin, Ph.D., Author, Like Subjects, Love Objects

"Summers' approach to therapy is challenging and inovative and carries the intersubjective to new levels that deserve thoughtful consideration."

-W.W. Meisnner, S.J., M.D. in Bulletin of the Menninger Clinic, Vol. 71, No. 3 (Summer 2007)

About the Author
Frank Summers, Ph.D., a clinical psychologist and psychoanalyst, is a training and supervising analyst at the Chicago Institute for Psychoanalysis and an Associate Professor of Clinical Psychiatry and the Behavioral Sciences at Northwestern University Medical School.� A member of the faculties of the Chicago Center for Psychoanalysis, the Minnesota Psychoanalytic Institute, and the Wisconsin Psychoanalytic Institute, Dr. Summers maintains a private practice of psychoanalysis and psychoanalytic therapy in Chicago, IL.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Thought provoking, carefully reasoned and useful
By Nora L. Ishibashi
"Self creation" continues the developmental process for Summers' views on psychotherapy and emotional distress. Here he shows, with case examples, how therapists can help people achieve true personal change. Psychotherapy is not about changing habits, but about developing your mind to its fullest potential so that you can have the optimal life possible. Too often, it devolves into problem solving or behavior modification. Summers shows how therapists can help their clients grow into their best possible selves by fostering a true developmental process. This book is extremely accessible, reasonable, and clear.

5 of 5 people found the following review helpful.
A valuable source of insight and new applicable techniques written especially for psychotherapists and psychoanalysts
By Midwest Book Review
Clinical psychologist and psychoanalyst Frank Summers presents Self Creation: Psychoanalytic Therapy And The Art Of The Possible, a fresh view on the often difficult relationship between "insight" and "change" in order to bring about transformations in manners of being, relating, and benefiting from therapy. The latter half of Self Creation applies the author's new model of therapeutic action to common clinical syndromes such as depression, harmful narcissism, somatic symptoms, and more. A valuable source of insight and new applicable techniques written especially for psychotherapists and psychoanalysts, also highly recommended for psychology students.

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