Senin, 27 Agustus 2012

[F658.Ebook] Ebook Free Magic by Misdirection (The Fitzkee Trilogy Book 3), by Dariel Fitzkee

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Magic by Misdirection (The Fitzkee Trilogy Book 3), by Dariel Fitzkee

Book Three of the Fitzkee Trilogy:

MAGIC BY MISDIRECTION

An Extended Explanation of the Magician's Application of the Psychology of Deception.

Possibly the most popular of Fitzkee's Trilogy, Magic By Misdirection applies the psychology of deception to the art of magic. The finest minds of magic have recognized it as an important and monumental work on the subject. It makes clear the psychological devices and methods you can use to deceive your audience:

Disguise

Attention Control

Simulation

Dissimulation

Interpretation

Maneuver

Pretense

Ruse

Anticipation

Diversion

Monotony

Premature Consummation

Confusion

Suggestion... and others!

Fitzkee supplies practical examples in the form of tricks incorporating and utilizing these principles.

"My card on forehead would not be what it has become today if not for Magic by Misdirection." -Michael Finney

  • Sales Rank: #260253 in eBooks
  • Published on: 2011-05-18
  • Released on: 2011-05-18
  • Format: Kindle eBook

Most helpful customer reviews

15 of 16 people found the following review helpful.
A pillar in a very strong trilogy
By Etienne Lorenceau
Magic and deception are not an art about sleeving or double bottom, traps and mirrrors. It's the art of taking people into their own dreams where attention to the secret movements, tricked props etc becomes secondary. Misdirection is the word magicians use to wrongly route spectators' attention, focusing it only where it supports the dream. This book is not an how to book but it's one of the best analysis of what misdirection is.
The art of misdirection is what makes the difference between a guy doing tricks (properly or badly) and a true magician.
The two other books in the trilogy are the Trick brain which classifies every magical effects and the author's book on showmanship. They can be completed by Maskelyne and David Devant's "Our Magic" and by Henning Nehlms book on showmanship.
Anybody seriously interested in magic or deception (politics, military and business strategies) should know this unknown book.

6 of 8 people found the following review helpful.
magic as philosophy
By Scott C. Locklin
Magic ain't pulling rabbits out of a hat. Magic is all about manipulating what people see. It's directly applicable to politics, fist-fighting, advertising, seduction and a whole host of other human activities which require the attention of one or more participants. Reading this book has changed my outlook on things like few have. Learning to live it will require much study. If you look at politicians and captains of industry, many of them will actually admit to being amateur magicians. There is a reason for this. It's not just a nerdy hobby. It's a way of looking at the world which is very powerful indeed.

The other volumes are also OK, but they don't hold the attention like this one does. This is the core to it all. There is a reason it is going for $200 used.

0 of 0 people found the following review helpful.
This is basically a novel size ad for the author's other books...
By TheDarkKnight
I can start by summarizing the entire book in just a few words, " You must trick your audience to be a magician". This book was little more than the author patting himself on the back for previous works. Without saying it right out he tries to make the reader feel like they will be too stupid to read this book unless they have read his other works with quotes like " Unless you read MIND TRICK you might not fully understand ". The first 14 chapters are ALMOST nothing but the author telling you how great his previous two books are and how much you should read them with very little content on magic. It isn't until you get somewhere past chapter 14 that you get into the heart of what the entire book should have been about.

I am a magician looking to expand my knowledge base for my routine. I was hoping this book would help me understand my own misdirection ability. It did not. The only thing that I took away from this book was watch where your eyes look because that is were the audience will direct their attention. The only other saving grace of this book was when it talked about repetition and different ways to lull the audience's attention away from what you are doing. I feel very cheated to have bought this book and spent the few hours it took to read just to come away with such little information. I do not recommend this book for magicians of any age.

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Rabu, 22 Agustus 2012

[K224.Ebook] Download PDF WF110 - Repertoire Classics for Flute, by Complied and edited by Donald Peck

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WF110 - Repertoire Classics for Flute, by Complied and edited by Donald Peck

36 Repertoire Pieces with Piano Accompaniment
Carl Fischer s Repertoire Classics series consists of comprehensive and progressively graded collections of classic solos with piano accompaniment. Each book contains a fine mix of transcriptions of familiar classics along with solos written specifically for the instrument. Many of the pieces in these collections appear on state contest/festival required music lists. The pieces featured cover the performance levels of grade 2 through 5, representing all style periods, and include works by some of the greatest composers of all time. As an added bonus, the included data CD contains MP3 audio files of the piano accompaniments to make practicing more fun. It also contains piano accompaniment parts for all pieces in the collection in PDF format. Our innovative and unique packaging allows Carl Fischer Music to provide you with large and useful collections of solo literature at affordable prices, and players will find them useful for years to come.

  • Sales Rank: #680304 in Books
  • Brand: Carl Fischer
  • Model: WF110
  • Published on: 2010-11-15
  • Binding: Paperback

Most helpful customer reviews

3 of 3 people found the following review helpful.
Versatile and Useful book for any intermediate to advanced flutist.
By Becki C.
I ordered this book to supplement other repertoire like it for weddings and corporate gigs. I love its content and the editing by Don Peck is very thoughtful. My only complaint is that the accompaniment CD is sometimes hard to follow or start with due to lack of beat preparations, especially to a less experienced player. But overall it is lovely and a welcome addition to any flutist's music library. If I could go back, I would purchase it again in a heartbeat.

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Senin, 20 Agustus 2012

[K488.Ebook] Free PDF Chivalrous (Valiant Hearts Book #2), by Dina L. Sleiman

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Chivalrous (Valiant Hearts Book #2), by Dina L. Sleiman

Sleiman's Valiant Hearts Series Offers
Unforgettable Heroines

Strong and adventurous Gwendolyn Barnes longs to be a knight like her chivalrous brothers. However, that is not an option for her, not even in the Arthurian-inspired Eden where she dwells. Her parents view her only as a marriage pawn, and her domineering father is determined to see her wed to a brutish man who will break her spirit.

When handsome, good-hearted Allen of Ellsworth arrives in Edendale searching for his place in the world, Gwendolyn spies in him the sort of fellow she could imagine marrying. Yet fate seems determined to keep them apart. Tournaments, intrigue, and battles--along with twists and turns aplenty--await these two as they struggle to find love, identity, and their true destinies.

  • Sales Rank: #397840 in eBooks
  • Published on: 2015-09-01
  • Released on: 2015-09-01
  • Format: Kindle eBook

From the Back Cover
With Her Future In Jeopardy, This Unforgettable Heroine Won't Go Down
Without a Fight!

Strong and adventurous Gwendolyn Barnes longs to be a knight like her chivalrous brothers, but her parents view her only as a marriage pawn. When her domineering father makes plans to see her wed to a brutish man, Gwendolyn must fight for her future.

She's surprised, however, for that clash to include a handsome, good-hearted newcomer. Allen of Ellsworth arrives in Edendale searching for his place in the world, but he finds in Gwendolyn the most unexpected of women.

Tournaments, intrigue, and battles--along with twists and turns aplenty--await these two as they struggle to find love, identity, and their true destinies.

"This marvelous story is reminiscent of Camelot tales with a captivating plot and enjoyable characters. Chivalrous is for readers who enjoy Melanie Dickerson and Rosemary Groux."--CBA Retailers+Resources

Praise for the Valiant Hearts series!

"Sleiman launches an action-packed, historical series of adventure and romance."--Library Journal starred review of Dauntless

About the Author
Dina L. Sleiman holds an MA in professional writing from Regent University and a BA in communications with a minor in English from Oral Roberts University. Over the past eighteen years, she has had opportunities to teach college writing and literature, as well as high school and elementary classes in English, humanities, and fine arts. She lives in Virginia with her husband and three children. She can be found online at www.dinasleiman.com.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Better Than Dauntless
By James B. Pate
Chivalrous is the second book of Dina Sleiman's "Valiant Heart" series. The series is set in thirteenth century England.

Chivalrous has some of the same characters as the previous book, Dauntless, such as Allen, Merry, and Timothy Grey. It also makes reference to the Ghosts of Farthingdale Forest, who were prominent in the previous book.

But Chivalrous also introduces new characters, and a new story. There is Gwen, a young noblewoman, whose father wants her to marry a brutish man. Gwen has an independent streak, for she pretends to be a knight and fights in a tournament. There is Gwen's maid and friend Rosalind, who is dealing with her own guilt. There is Randel, a devout man, who is a potential suitor for Gwen. There is also the villain of the story, a rival to the progressive duke. The villain's sister is a witch.

Chivalrous was much better than Dauntless, for a variety of reasons. For one, Chivalrous had themes that added an aura of mystery to the story: a prophecy that Allen feels he has to fulfill, and a man whose sister is a witch. Second, there was more theological discussion in Chivalrous, and the discussion actually went somewhere. In Dauntless, Merry and Timothy Grey disagreed about Romans 13 and whether that means they should obey the brutal King John. But the discussion did not get too deeply into the details and implications of Romans 13, nor did the two of them arrive at an interpretation of Romans 13 that would justify their opposition to King John. Romans 13 was just left hanging! By contrast, the theological discussions in Chivalrous were meatier and had more resolution.

An endearing quality of Chivalrous is that the protagonists are good people, even if they do not necessarily belong with each other, in terms of marriage. Gwen is drawn to Allen, but Randel is still a good person. Allen feels that he has to marry a duchess to fulfill a prophecy about a low-born person marrying a duchess and saving the nation. The duchess is a good person, but she is grieving the death of her husband and is not ready to marry again. The characters in Chivalrous are more rounded and likable than the ones in Dauntless.

An excellent scene in the book is one in which Gwen, Allen, and Randel are all three discussing Scripture and life. Gwen's father is domineering, but Randel says that he is as hard on himself as he is on others. Unfortunately, this humanizing view of Gwen's father is not developed further in the book.

In Chivalrous, there are people who have egalitarian perspectives on Scripture and on life, when it comes to gender, and one may wonder how realistic that was, historically-speaking. Perhaps portraying characters in this time as egalitarian would be anachronistic, and yet there may have been raw material that would have allowed some people to have egalitarian perspectives, at least on some level. The Bible does have strong female characters who assume positions of prominence, such as Deborah the judge, and readers of the Bible even then would have been aware of that. A good question would be how Deborah was portrayed, in medieval Judaism and Christianity. Moreover, Dina Sleiman in her historical appendix notes that there were women who rose to positions of prominence in medieval England.

Chivalrous was a pleasure to read.

0 of 0 people found the following review helpful.
YA Historical Romance
By Emily Anne K
Chivalrous, by Dina Sleiman, was lovely. It’s all about Gwyn, a woman who wants to be herself but is stifled by her parents and her society, and Allen, a common man who is elevated to a position he never desired. Both are thrown into betrothals they don’t want but try to make the best of the situation, even as they fall in love with one another. They struggle with their situation, misguided leaders, and social roles on top of the political turmoil of invaders and murder. And did I mention domestic abuse? Gwyn’s father is a volatile ogre who believes women must completely submit. Themes of domestic abuse, social roles, misguided leaders, and abortion give the sweet romance needed depth and twist the plot. I truly enjoyed Chivalrous and would recommend it to lovers of YA Historical Romance with a strong female protagonist.

1 of 1 people found the following review helpful.
What a book!
By JMBooher
Wow, what a book. Characters, story line, bringing back characters from book one, loved it all. Thank you so much.

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Selasa, 14 Agustus 2012

[F743.Ebook] Ebook Timing for Animation, by John Halas, Harold Whitaker

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Timing for Animation, by John Halas, Harold Whitaker

A classic of animation education since it first published in 1981. For more than 25 years, copies of Timing for Animation have been sitting dog-eared and spine-split on desks and workstations around the world wherever animation is produced. All you need to breathe life into your animation is at your fingertips.

All the vital techniques employed by animators worldwide are explained using dozens of clear illustrations and simple, straightforward directions. Learn how animations should be arranged in relation to each other, how much space should be used and how long each drawing should be shown for maximum dramatic effect. Fully revised and updated, the second edition includes timing for digital production, digital storyboarding in 2D, digital storyboarding in 3D, the use of After Effects and much, much more!

  • Timing shows weight, mood, and power and can make or break an animation - get it right the first time with these tried and tested techniques
  • Get straight to the good stuff with simple, no-nonsense instruction on the key techniques like stretch and squash, animated cycles, overlapping, and anticipation

  • Binding: Hardcover
  • 174 pages

Review

"Among my favourite books, Timing for Animation (Focal Press), by Harold Whitaker and John Halas ranks high. Originally written in 1981 (and newly revised in 2009) this slim volume presents a thorough analysis of the many kinds of timing issues one encounters in producing a narrative style animated film. Timing on Bar Sheets, Movement and Caricature, Newton's Laws of Motion, Objects Thrown Through the Air, Timing a Slow Action, Timing a Fast Action, Timing to Suggest Weight and Force... these are only a few of the many chapters included. A thoroughly compiled manual, it's an old and current favourite."--Animation World Network

About the Author
Known as the "father of animation" and formerly of Halas and Batchelor Animation unit, John produced over 2000 animations, including the legendary "Animal Farm" and the award winning "Dilemma". He was also the founder and president of the ASIFA and former Chairman of the British Federation of Film Societies.
BAFTA-nominated professional animator and educator for 40 years, many of his students number among today's most outstanding animation artists.
Tom Sito is an Adjunct Professor of Animation at USC, Woodbury College, and UCLA and has written numerous articles for Animation Magazine and Animation World Network. Tom's screen credits include the Disney classics THE LITTLE MERMAID (1989), BEAUTY & THE BEAST (1991), ALADDIN (1992), THE LION KING (1994), WHO FRAMED ROGER RABBITT (1988), POCAHONTAS (1995), FANTASIA (2000) and SHREK (2001). Tom is President-Emeritus of the Hollywood Animation Guild Local 839 IATSE. He is vice president of the International Animator's Society (ASIFA/Hollywood) He is a member of the Motion Picture Academy, the National Cartoonists Society and Hollywood Heritage. In 1998 he was named in Animation Magazine's list of the 100 Most Important People in Animation.

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Rabu, 01 Agustus 2012

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The Archaeology of Mind: Neuroevolutionary Origins of Human Emotions (Norton Series on Interpersonal Neurobiology), by Jaak Panksepp PhD,

A look at the seven emotional systems of the brain by the researcher who discovered them.

What makes us happy? What makes us sad? How do we come to feel a sense of enthusiasm? What fills us with lust, anger, fear, or tenderness? Traditional behavioral and cognitive neuroscience have yet to provide satisfactory answers. The Archaeology of Mind presents an affective neuroscience approach―which takes into consideration basic mental processes, brain functions, and emotional behaviors that all mammals share―to locate the neural mechanisms of emotional expression. It reveals―for the first time―the deep neural sources of our values and basic emotional feelings.

This book elaborates on the seven emotional systems that explain how we live and behave. These systems originate in deep areas of the brain that are remarkably similar across all mammalian species. When they are disrupted, we find the origins of emotional disorders:

- SEEKING: how the brain generates a euphoric and expectant response

- FEAR: how the brain responds to the threat of physical danger and death

- RAGE: sources of irritation and fury in the brain

- LUST: how sexual desire and attachments are elaborated in the brain

- CARE: sources of maternal nurturance

- GRIEF: sources of non-sexual attachments

- PLAY: how the brain generates joyous, rough-and-tumble interactions

- SELF: a hypothesis explaining how affects might be elaborated in the brain

The book offers an evidence-based evolutionary taxonomy of emotions and affects and, as such, a brand-new clinical paradigm for treating psychiatric disorders in clinical practice.

  • Sales Rank: #297009 in Books
  • Brand: Jaak Panksepp
  • Published on: 2012-09-17
  • Released on: 2012-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.70" w x 6.60" l, 2.50 pounds
  • Binding: Hardcover
  • 592 pages
Features
  • The Archaeology of Mind Neuroevolutionary Origins of Human Emotions

Review
“Eloquently written, this brilliant text firmly incorporates laboratory animal research, as well as neuroscientific human studies, to plumb the recesses of the mammalian brain to expound our understanding of human emotionality. . . . This body of work reveals how basic mammalian emotions are shared amongst mammalian species, debunking the illusion of the uniqueness of human emotional experiences while aiding in our understanding of emotions, psychopathologies, and treatment capabilities.”
- New Jersey Psychologist

“Without any sense of exaggeration, this is a revolutionary book. The implications of its understanding of human nature are profound and they open the possibility of a new way of looking at ourselves – and other animals – that is solidly based on scientific method. . . . The Archaeology of Mind is required reading for anyone who wants an in-depth understanding of the affective core that we all share, and that is central to who we are.”
- The APPPAH Newsletter

“[O]ffers a very valuable updating of an essential, richly researched neuroscientific perspective on our emotional lives.”
- Society of Analytical Psychology (UK)

“[A] successful overview of the affective systems . . . . [O]f interest not only to basic scientists interested in preclinical modeling but also to clinicians and clinical researchers interested in the neurobiology of addiction, emotional disorders, and novel pharmacological and psychosocial interventions.”
- Journal of Nervous and Mental Disease

“[W]ill appeal to anyone who seeks to understand the origins of our emotions and the mechanisms that tie our affective experiences to our behaviors. Clinicians and psychotherapists are an obvious potential audience. Panksepp and Biven . . . contend that an affective neuroscience perspective has a lot to offer to psychiatric research and practice. . . . [T]his text is accessible to a host of researchers trained in that theoretical tradition, including, but not limited to, the rapidly growing community of evolutionary psychologists across diverse academic disciplines. . . . [W]ould be appropriate reading for an advanced undergraduate course or a graduate seminar across the many disciplines that are now adopting neuroscientific methods of inquiry to study human psychology and behavior.”
- PsycCritiques

“Integrative, judicious, creative, welcoming of divergent perspectives, and very accessible, this is a grand synthesis and should be part of every library. . . . Essential. ”
- CHOICE

“[A]n exhaustive work, covering a neglected and often misunderstood field . . . . Nowhere else will you really find due diligence done on the non-conscious biases of humans and animals . . . . [E]ssential reading, not only to us as mind professionals, but to teachers, parents, personal and physical trainers and coaches. Emotions are still everything, and vital to understanding why we are what we are, and why we do and have done, everything in the past and now. An amazing buy.”
- Metapsychology Online Reviews

“The book will be of special interest to psychiatrists and other mental health professionals, but it is also accessible to students, parents, educators, and animal behaviorists. ”
- Book News Inc.

“This is a highly original and exciting book. The vital distinction between eager anticipation and straightforward pleasure is only one among many of its important findings. The implications for clinical assessment and treatment, especially with depressed and cut-off patients, are profound.”
- Anne Alvarez, PhD MACP, Consultant Child and Adolescent Psychotherapist, Tavistock Clinic, London

“Panksepp’s perspective on the continuity of animal and human minds has not received the attention it deserves. Here are the collected facts and the reasoning behind that compelling view. An indispensable volume. ”
- Antonio Damasio, author, Self Comes to Mind; David Dornsife Professor of Neuroscience and Director, Brain and Creativity Institute, University of Southern California

“Immensely learned, consistently lucid, and truly groundbreaking. This book repeatedly elicited my ‘ahhhh, yes.’ For Panksepp and Biven, understanding the evolution of the brain holds the key to solving large-scale mysteries about how the brain works. Thus, they draw upon detailed comparisons of the behavior and functional anatomy in mammals, from rodents to humans. The upshot is a profoundly insightful theory, especially as it explains the complex relation between the subcortical platform of motivations, emotions, and automatic responses, and the evolutionary newcomer―the cortex― whose sophisticated contribution to control, evaluation and knowledge emerges as the brain learns and develops into maturity.”
- Patricia Smith Churchland, Professor Emerita, University of California, San Diego

“Jaak Panksepp is the most important theorist of mental life that I have read since Freud. The impact of his scientific contributions will be felt for decades to come. His findings―so lucidly introduced in this accessible book with Lucy Biven―herald a new Golden Age. They are almost bound to place 21st-century psychiatry on a whole new foundation. In these pages, the supposed chasm between mind and brain disappears before your eyes, the veil is lifted, and new vistas appear before you. These vistas are the future of the science of the mind.”
- Mark Solms, editor of Freud’s Complete Works

“This book has the capacity to integrate affective neuroscience into the consciousness of not only therapists, but also those interested in understanding depth motivation that sustains or pathologizes our every action and thought. It is a truly pioneering effort. Its deep truths about the origins of mind and feeling, and the implications for altering how we see ourselves over evolutionary time, connected to our fellow social mammals and birds, also has implications for how we treat our fellow travelers on this planet.”
- Stuart Brown, MD, Founder and President, The National Institute for Play

About the Author
Jaak Panksepp, PhD, was the Baily Endowed Chair of Animal Well-Being Science at Washington State University's College of Veterinary Medicine, emeritus Distinguished Professor in the Department of Psychology at Bowling Green State University, and the Head of Northwestern University's Falk Center for Molecular Therapeutics.

Lucy Biven trained at the Anna Freud Centre in London, and has served as Head of the Department of Child and Adolescent Psychotherapy at the Leicestershire National Health Service in England. She is currently a reader for the Journal of Neuropsychoanalysis.

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4 of 4 people found the following review helpful.
Search for Consciousness
By Wayne
Let's say we do an archaeological dig into the evolutionary recesses of the mind in order to discover consciousness, a sort of Indiana Jones adventure seeking that Holy Grail. That is exactly the adventure neurologist Jaak Panksepp has engaged in and proposes in his new book "Archaeology of the Mind."

"How does it come to pass that the material processes of the brain beget a mind, a `me'?" (p. 392) In what might be considered an attempt to identify neural correlates of consciousness, Panksepp argues that neuroscience can best answer this question, not from the traditional top down (examining the neurocortex, i.e, cognition) but nontraditionally from the bottom up (medial brain-stem regions, i.e. affect): Panksepp, Affective Neuroscience, 1998).

Panksepp argues for a primary process of the mind, a "Simple Ego-type Life Form (SELF),"-- the coherent center of gravity for internal organismic visceral-affective and external sensory-motor representations." (p. 390)., which he calls Dual-Aspect [visceral/sensory] Monism [Brain, subcortical and cortical].

Panksepp also refers to the embodied "core-SELF, " or primary-process self, "a primordial representation the body, especially the visceral body, within the brain" as the "foundation for affective `being" and the emergence of the higher [neocortical] mental apparatus" p. 390.

While Descartes's "cogito ergo sum" only confirmed the existence of thinking, which is a disembodied form of higher consciousness" he only "implicitly accepted that the existence of consciousness, along with a coherent and stable set of autobiographical memories, implied the existence of a self." (p. 421)

Panksepp asserts that "midline systems in the brain, which give all mammals a universal (nomothetic) core SELF, [and] can support various renditions of the self (idiographic forms) in other regions of the brain related to higher information processing." "The self initially evolved as a homologous nomothetic core SELF which helps the rest of the brain elaborate more idiographic forms of self-hood."

"Primary-process emotional systems play a pivotal role in the functioning of the core SELF." "Affects are created when midline systems assume distinct types of neuronal firing patterns when the various emotional networks [the seven identified] are aroused." "Primary-process affects always evaluate the internal and external world in relation to the survival of the individual, and the species . . . and are [thus] `active' information-seeking creatures." (p. 421)

So Panksepp is founding neural correlates of consciousness in the SCMS (subcortical, affective) and only secondarily in the CMS (cortical, cognitive).

Therefore, in accordance with his dual-aspect monism, "subcortical midline emotional systems (SCMS) concurrently generate various behavioral physiological, and affective emotional manifestations through a coherent integrated system for SELF representation." (p. 422)

0 of 0 people found the following review helpful.
Affect is what makes a person a person
By mbk
I love this book because its main concepts made me reconsider how I imagine human nature. It does that by creating a new vision of consciousness. To combine affect with consciousness goes much farther, to me, in explaining what makes a human human, than all the AI research in this world. The AI approach as I understand it, consists in piling up computation until consciousness suddenly is supposed to emerge. With Panksepp in mind, something monumental is missing from this picture. That something is the actual "I" part, the steering element, the active agent, the one that generates and experiences the affect, and feeling. This is a completely new (to me) way of thinking about consciousness: the brain "produces" the conscious self first as something like pure affect, and this self then "has" computation. The AI world would have it the other way around, that computation comes first, and then somehow magically produces self and feelings and consciousness in the process.

So this is an important book, as is Panksepp's entire approach. I have to admit if I could I would have subtracted half a star for the writing. The book is sometimes a bit hard to follow, and not just because the concepts and vocabularies are difficult. It could have benefited from streamlined organization, and from taking out some of the more specific discussions of internal pathways in the brain that are surely lost to any but the most specialized researchers in this area. Still: this book will give you unique insights into how human affect works, especially pertaining to one's "drive" or curiosity in life (the "seeking" system), sociability and the causes of depression. With Panksepp, all of these suddenly make sense.

10 of 10 people found the following review helpful.
A great book.
By Robert Wentworth
This is a real mind changer. The best, most illuminating and scientific work on the fundamental cores of experience I have read in twenty years.
A classic of the the Revolution in Neuroscience at a deeper level than the Cognitive Model of the Mind.
It is also very well written and a pleasure to read.
Dr Robert Wentworth
Sydney.

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