Minggu, 01 April 2012

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  • Published on: 1900
  • Binding: Paperback

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Jumat, 30 Maret 2012

[G201.Ebook] Download The Duduk and National Identity in Armenia, by Andy Nercessian

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The book is an outline of the Armenian duduk, a cylindrical double-reed aerophone made of apricot-wood, and its relation to the Armenian identity. It attempts to deepen our understanding of musical instruments not only through an examination of musical and constructional features, but also through the application of a sociocultural framework which allows a theorization of the idea of the instrument as social being.

The discussion is centered on the different contexts in which the duduk is played. These are divided into two categories: solo and ensemble. Solo duduk performance includes the remarkable phenomenon of Armenian funeral music activity. Other contexts include special celebrations of national culture, duduk competitions, the recording studio and the film music studio. The main ensemble contexts of duduk performance are the Armenian folk orchestras. These are essentially Soviet creations designed to "advance" folk music. Their impact on folk music and folk musical life on Armenia is discussed with special attention to the "adjustments" which were necessary for the success of this institution. Folk ensembles have long been emblems of Armenian national culture which might explain how they have survived the collapse of the Soviet Union and its Marxist-Leninist policies which were these orchestras' very raison d'�tre.

The book will appeal to anyone with an interest in organological theory, Armenian culture, or world music.

  • Sales Rank: #5109107 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 2001-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.72" h x .55" w x 5.60" l, .61 pounds
  • Binding: Hardcover
  • 144 pages
Features
  • Used Book in Good Condition

Review
Andrew Nercessian seems in a unique position to advance the true cause of this instrument. He has penetrated the roots of its current practise and history in Armenia in a beautifully thorough and balanced manner, interspersed with entertaining and fascinating accounts of his experiences as musician and researcher. His writings go a long way to understand the relation between musical perceptions between cultures. I strongly recommend musicians of all persuasions to have this book on their shelves before it's too late. (Benedict Mason, composer From The Foreword)

About the Author
Andy Nercessian is currently lecturer in ethnomusicology at the University of Durham, UK.

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Selasa, 20 Maret 2012

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A collection of dark and humorous poetry, richly illustrated by the author.

  • Sales Rank: #3151365 in Books
  • Published on: 2015
  • Format: Unabridged
  • Binding: Hardcover
  • 64 pages

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0 of 0 people found the following review helpful.
Just got this book of great, short
By Turtleboy
Just got this book of great, short, humorous poems. I chuckled out loud several times. Kids (and their parents) of any age will enjoy them- especially boys (and girls) that like a touch of the "gross" (but hilarious) factor. A great way to introduce kids to poetry, since many of the short poems have a great, funny, unexpected turn at the end. The artwork, (also done by the author) is also great. (Tim used to work on Disney feature films).

0 of 0 people found the following review helpful.
"poetry is best when shared out loud
By KC Shopper
Very well done! Humorous, lighthearted and as suggested by the author, "poetry is best when shared out loud!" (or something like that!)

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Jumat, 16 Maret 2012

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Shapeshifters: Black Girls and the Choreography of Citizenship, by Aimee Meredith Cox

In Shapeshifters Aimee Meredith Cox explores how young Black women in a Detroit homeless shelter contest stereotypes, critique their status as partial citizens, and negotiate poverty, racism, and gender violence to create and imagine lives for themselves. Based on eight years of fieldwork at a local shelter for women and girls, Cox shows how the shelter's residents—who range in age from fifteen to twenty-two—employ strategic methods she characterizes as choreography to disrupt the social hierarchies and prescriptive narratives that work to marginalize them. Among these are dance and poetry, which residents learn in shelter workshops. These outlets for performance and self-expression, Cox shows, are key to the residents exercising their agency, while their creation of alternative family structures demands a rethinking of notions of care, protection, and love. Cox also uses these young women's experiences to tell larger stories of Detroit's history, the Great Migration, deindustrialization, the politics of respectability, and the construction of Black girls and women as social problems. With Shapeshifters Cox gives a voice to young Black women who find creative and non-normative solutions to the problems that come with being young, Black, and female in America.�

  • Sales Rank: #73607 in Books
  • Published on: 2015-08-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .60" w x 5.90" l, .0 pounds
  • Binding: Paperback
  • 296 pages

Review
"In this powerful book, Aimee Meredith Cox boldly re-conceptualizes the very meaning of 'public anthropology' in the twenty-first century. With vibrant, nuanced, and crackling ethnographic material, Shapeshifters offers a poignant telling of these women's stories." (John L. Jackson, Jr., author of Thin Description: Ethnography and the African Hebrew Israelites of Jerusalem)

"In this powerful and passionate book Aimee Meredith Cox communicates important messages about the integrity and humanity of black girls, their potential, and the ways this potential is variously thwarted, squeezed, bounced, and redirected. Rich in detail and at times hilarious, painful, and revealing, Cox's ethnography provides an account of the ways girls move through the obstacle course of poverty, racism, and gender violence to create and imagine lives for themselves."
(Elizabeth Chin, author of Purchasing Power: Black Kids and American Consumer Culture)

"Cox shows that “Black girls’ lives matter” and how their voices articulate that. �This ethnographic study of young black women and girls is an essential read and companion to the larger picture of African American lives in urban settings, which are often mired in poverty, crime, and despair. �However, this rare study brings hope rather than hopelessness as it delves into the heart of human expression and gives voice to a will to live beyond any limitations of what poverty may dictate in contemporary North America." (M. Christian Choice Magazine)

"This lively book, Cox’s account of her work as a participant-observer in a Detroit homeless shelter for teen girls, reveals both the many obstacles faced by young women of color and the creative ways in which they use self-expression (language, music, fashion, and dance) to find a new way to live otherwise. The stories, harrowing and fascinating, shine a light on the lives of our least empowered citizens—teenage African American girls—while Cox’s thinking helps us see the power of being able to shape-shift." (Anne Fernald Public Books 2016-06-16)

About the Author
Aimee Meredith Cox is Assistant Professor of African and African American Studies at Fordham University.

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2 of 3 people found the following review helpful.
Shapeshifting
By CLMc121860
Read this book for a class. It was interesting. Made me wonder about the further adventures of these women. Greeted a place of curiosity in me about issues of poor black women that I had not considered

2 of 4 people found the following review helpful.
Five Stars
By daysi
Interesting ethnography definitely would recommend

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Rabu, 14 Maret 2012

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Minggu, 11 Maret 2012

[C143.Ebook] Ebook Download Encountering Evil, A New Edition: Live Options in TheodicyFrom Brand: Westminster John Knox Press

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Encountering Evil, A New Edition: Live Options in TheodicyFrom Brand: Westminster John Knox Press

Eight prominent philosophers and theologians confront the problems posed by natural and human evil for theistic belief. Each thinker sets out his or her theodicy and its connections to current social and philosophical debates. The other contributors then offer critiques of each theodicy, to which its author subsequently responds. The result is a valuable introduction to philosophical and theological perspectives on contemporary evil and to the nature of discourse in the philosophy of religion.

  • Sales Rank: #467546 in Books
  • Brand: Brand: Westminster John Knox Press
  • Published on: 2001-05-01
  • Released on: 2001-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .55" w x 6.00" l, .85 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

About the Author
Stephen T. Davis is Russell K Pitzer Professor of Philosophy and Religious Studies at Claremont McKenna College in Claremont, California.

Most helpful customer reviews

39 of 40 people found the following review helpful.
Very well done
By Kevin D. Huddleston
Although there are probably as many theodicies as there are people in the world, Stephen Davis does a fine job selecting scholars who represent various, major viewpoints on the classic problem of evil to elucidate their positions. John Roth represents a theodicy of protest whereby it is insinuated that God may not be totally good. God, says Roth, has a dark side and so must be persuaded by human protest and prayer to do what is right. Hick, of course, represents the position of an Irenean theodicy where God is portrayed as simply unable to stop all evil since evil is born our of free will and God cannot contradict the free will He gave us (lest it cease being free will). More than that, however, God has created a world in which trouble and evil exist in order that, by virtue of our free will, we might grow in character through the hardship. God, says Hick, is in the business of soul-making and has an overall plan for us as His creation to grow into spiritual maturity through the joys and sufferings of this life. Davis takes the classic Christian perspective position that evil is the result of human sin, that Jesus died to redeem us of that sin. We are responsible for the evil in the world, but God has created a way to redeem the world by taking sin on Himself in the form of Jesus Christ. By recieving Christ into our lives, not only are we promised a future in eternity without evil, but we are able to grow through the sufferings of life instead of shun them as worthless. He argues that there is no logical contradiction between the Biblical God (omnipotent and omnibenevolent) and the existence of evil in the world. Griffin represents the process theology position that God is evolving with the creation and so is learning as He goes. Matter, says Griffin, is eternal like God and has its own kind of "free will." Complexity in the arrangement of matter, furthermore, is tied to the amount of free will something has. Thus a rock can do less evil and yet God is less able to use it for good, but something as complex (and thus having more free will) as a human is capable of doing much more evil by resisting God and much more good by submitting to God. Finally, Sontag takes a highly skeptical position about God's goodness. God is unpredictable and violent at times and all we can do is hope for the best. We must acknowledge God's existence and power, but Sontag's god is semi-demonic in nature which explains evil in the world and why he doesn't stop it.
Of course, this small review doesn't even begin to scratch the surface of the indepth and well written arguments of each of these scholars. The book is complex enough for college and graduate classes but written with the lay-person in mind as well (the writers are careful to define their terms in most cases). Also, I really enjoyed the fact that each contributor has the opportunity to critique the other's theodicies and then the chance to defend against the other's critiques. This point/counterpoint approach was excellent and informative.
My only critique of this book is the subtitle ("Live Options in Theodicy"). While the five views represented in this book are indeed reflective of five major worldviews of the problem of evil, they are not the only *live* options. To suggest so implies that any theodicy significantly different than those represented in the book is not a valid option. But because the problem of evil is more of a mystery and less of a logical problem to be solved with a fancy syllogism, it can be approached in a number of ways -- not just five.

0 of 0 people found the following review helpful.
A great overview of responses to the problem of evil
By the narrator
Though some of the authors (particularly Phillips and Roth) do not offer theodicies proper, this books provides an excellent overview of theodicies and other responses to the problem of evil from some the foremost philosopher/theologians engaging this topic. While the interactions between the authors following each essay allows for further discussion beyond the initial essays, it could benefit strongly from an atheistic author strongly arguing for the problem of evil (though the atypical theologies of Roth, Griffen, and Phillips to offer some support for the problem of evil).

0 of 0 people found the following review helpful.
Four Stars
By avidarkansasreader
As described.

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Sabtu, 10 Maret 2012

[W627.Ebook] Download PDF My Man Blue: Poems, by Nikki Grimes

Download PDF My Man Blue: Poems, by Nikki Grimes

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My Man Blue: Poems, by Nikki Grimes

My Man Blue: Poems, by Nikki Grimes



My Man Blue: Poems, by Nikki Grimes

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My Man Blue: Poems, by Nikki Grimes

Damon & Blue
Just us two
Cruising up the avenue.
With his night-and-day shades and a frame like a "heavyweight boxing machine," it might seem like this guy would be someone to steer clear of....But that's not the way it is. Blue is the best friend a kid could ever have. Blue, who lost one boy to the streets-and is determined that this time will be different. And Damon, whose laugh reminds him of that child, and who, even though he's the "man of the house," knows there's room for a guy like Blue in his life. To shoot hoops with, bounce thoughts off of, to share a laugh and a hot dog with all the works. And to know that at the end of the day there's someone standing steadfast in his corner. Someone true...like Blue.

Drawing on those friendships that have inspired her own extraordinary life, Nikki Grimes creates a poetically realistic tale of that joyous, complicated bond that draws us, one to another. To this Jerome Lagarrigue, in a truly wondrous picture book debut, adds powerful and sensitive paintings that capture the rich moods and atmospheres of the story's Harlem setting.

  • Sales Rank: #18476852 in Books
  • Brand: Brand: Dial Books for Young Readers
  • Published on: 1999-05
  • Original language: English
  • Dimensions: .10" h x .10" w x .10" l,
  • Binding: Library Binding
  • 694 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
In 14 knowing, heartfelt poems, Grimes (Come Sunday) invites readers to witness the friendship that blossoms between Damon, an African-American boy without a father, and Blue, a tough-looking man who has lost his son to the streets. At first Damon isn't sure what to make of "This rugged dude/ Who some folk think/ Looks fierce in clothes/ of midnight black." But the boy quickly discovers Blue's "harmless, gentle-giant side." In between shooting hoops and outings to the park, Blue fortifies Damon's values and self-confidenceAthe very things that prevent Damon from resorting to the violence and antisocial behavior prevalent in his urban world. Though each of these accomplished poems could easily stand alone, together they form an enticing story arc. In his picture book debut, Lagarrigue doesn't interpret Grimes's words literallyAhis Blue looks approachable. Readers never see, for example, the teeth that startle the boy ("one gold, three cracked"), and Blue's getup doesn't match the text's description of perpetual shades and black leather. The deep-hued acrylic paintings have a rough, slightly smudgy texture, and they demonstrate a remarkable color sense. Unexpected fields of sharp blues and greens blend into the gritty cityscapes, and blocks of text are set against canvases thinly brushed with paint in palettes that complement the facing illustration. The art creates an ideal setting for the text: the look is inescapably urban but also subtly lyrical. Ages 6-up. (May)
Copyright 1999 Reed Business Information, Inc.

From School Library Journal
Grade 2-5-A child's suspicion of the new man in his mother's life grows into admiration and love in this set of linked poems. "When We First Met," young Damon recalls, "I circle, look him up and down and let/Him know his grin's not winning points with me," but all resistance melts in the face of Blue's respect, his quiet strength, his willingness to teach and to listen, and to look out for Damon's safety. By the end, Damon is hoping, one day, to be "Like Blue"; "Not fierce/In black leather/Or built like/A heavyweight/Boxing machine/But like that/Other Blue I've seen/The one who/Says he cares/And shows it." Lagarrigue debuts with a set of twilit, impressionistic, sparsely populated street scenes in which Blue, with his shaven head and heavy frame, leans hugely but attentively toward his diminutive companion. Damon mentions his mother several times, but because she appears in the illustrations only once, she remains a background presence as man and boy bond.
John Peters, New York Public Library
Copyright 1999 Reed Business Information, Inc.

From Kirkus Reviews
This against-the-odds book from Grimes (Jazmin's Notebook, 1998, etc.) tells of an African-American boy living in a neighborhood that cuts him no slack, and the man who helps keep his feet grounded and his self-esteem steady against the occasional buffeting of his peers. Damon and his mother have just moved to a new apartment when an old friend of the mother's introduces himself: Blue, a rather steely character wrapped in shades and enigma. Damon (who has just lost his father) is wary of Blue; he gives the man a chance only when it becomes evident that Blue is not about to move in on Damon's home turf. Blue (who ``had'' a son, now lost to the streets or worse) offers advice of haiku-like simplicity, teaching Damon to be his own man: anger is a dangerous waste, fear useless unless subverted, men don't hit women. Grimes gets across more subtle life lessons as well in both rhymed and unrhymed verse, on the dignity of work, and the sheer physical pleasure of sport when competition isn't the sole motivating factor. It is a story of a boy who is old for his age, but not callousand perhaps saved from callousness by Blue. Lagarrigue's illustrations are brooding gardens of color that hold the forces of disorder and menace at bay, while Damon's cool earnestnessas well as his courage and independencebrighten each page. (Picture book. 6-10) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

0 of 0 people found the following review helpful.
it transcends to all genders and what children of any sex can learn from a good role
By C. Henderson
Although this story is about a man and a boy, it transcends to all genders and what children of any sex can learn from a good role model

0 of 1 people found the following review helpful.
Good book
By Anthony brown
Love this for my sons

0 of 1 people found the following review helpful.
Four Stars
By jessica washington
Love the book

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